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is a deliberately paced origin story set in New York City that's light on action and long on exposition and sometimes questionable special effects.
The eastern elements of Strange's origin are scrubbed in favor of Arthurian overtones with Morgan le Fay (Jessica Walter playing not necessarily the Marvel Comics version) as the villain and The Ancient One replaced by "Lindmer" a mentor who is, essentially, Merlin (wonderfully played by Sir John Mills! Clyde Kusatsu's Wong isn't a robed manservant, but an ally and student of the Ancient One, and helps introduce Strange into his new world.
Like everything else associated with this project, they're certainly unique and distinctive.
Here's a look at Brunner's concept art: , the television event of the decade, and it got trounced in the ratings.
De Guere said at the time, "the picture went five days over schedule and probably ,000-100,000 over budget" because of the challenges involved with bringing Doctor Strange's world to life on TV.
(It’s a testament to Smith’s uncommon industriousness that the tracklist here is dramatically different than the Fall’s .) Separating the A-sides from B-sides makes a certain amount of sense, providing both an easy entry point into the band’s labyrinthine catalog and a scenic path for more committed listeners to go down.
At the same time, with a band like the Fall, the distinction between A-sides and B-sides was often largely arbitrary—a B-side banger like 1981’s “Fantastic Life” could be just as rousing as any lead single from the same era; an A-side rumbler like 1986’s “Living Too Late” could be just as cold and imposing as any oddity tucked on the flipside.
Back in 2006, ’s Dave Simpson attempted to track down every former member of the Fall, a list that could fill a small town’s phonebook.
And there could likely be another compelling in-depth article written about the effort required to put this box set together.
This basic approach was something many Marvel TV properties were using.