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Dark joined Andrew Garroni and Walter Gernert as the in-house director for Axis Films International, a company formed to produce films that could duplicate the success of Mundhra's noirish Night Eyes.
Dark’s Carnal Crimes (1991), his first film with Axis, created a strong noir-romance subgenre for the erotic thriller, placing a female protagonist at the center of a romanticized story abundant with feminine imagery and softcore sex, setting the stage for many erotic thriller films to come.
Where a film such as Fatal Attraction contains relatively brief scenes of softcore sex and illicit romance before stockpiling psychological thriller action, Though every writer on the subject encapsulates the erotic thriller film differently, the overlapping of the suspense thriller, romance, and softcore sex film is the unique domain of the erotic thriller.
these late-night, premium cable channels distanced themselves from pornography but catered to an adult market.
Likewise, Cronenberg’s Dead Ringers (1988) and Crash (1996) propel the genre into the near future, where sex, obsession, and erotic desire are played out in cerebral, hypermodern settings mediated by potentially destructive technologies.
Erotic thrillers directed by and starring African Americans are rare, but Rob Hardy directed both Trois (2000) and Trois 2: Pandora's Box (2002) before moving on to work in television.
Like film noir, the genre has evolved and modernized, and new films continue to be made that are influenced by the classic style.
Verhoeven’s controversial and critically panned Showgirls (1995), made soon after, has gained a cult following but was critically panned when released.
In all, over 300 erotic thriller films were produced in the 1990s, which is comparable to the number of thriller films made in the noir decade of the 1940s.
The total number of films in the erotic thriller genre from 1985 to 2005 may number as high as over 500.
By the mid-1980s, HBO was actively looking for or developing adult programming that could be, in the words of one HBO programmer, "spicy but not obscene".
Unlike smaller, independent video stores, these large video stores cultivated a "family friendly" image and did not stock pornography, but the need arose for them to provide adult entertainment to a large customer base of couples who watched movies together.
Directors such as Radley Metzger (Theresa and Isabelle 1968), Joseph Sarno (Inga 1968), and Just Jaeckin (Emmanuelle 1974) were influential pioneers of the softcore-romance film.